10 of the Best Vampire Movies and Shows on Tubi That Have Serious Bite
From seductive immortals and bloodthirsty monsters to vampire families just trying to function, the best vampire movies and shows on Tubi prove there's more than one way to crave blood.
Vampires have been alive for centuries, which has given them plenty of time to diversify.
They can be romantic. Monstrous. Glamorous. Depressed. Funny. Occasionally all five before sunrise. Every generation gets to decide what the fangs mean this time. Vampires have been aristocratic monsters lurking in castles, tortured romantic leads, suburban parents, detectives, and entire civilizations with blood-supply problems. The rules stay familiar enough to recognize them. Everything around the bite keeps changing.
Even immortality evolves with the times. Eternally Yours has put eternal romance back in the conversation with a vampire couple trying to keep their marriage alive after roughly 500 years together, while spooky season has already given everyone permission to become suspiciously interested in the undead again.
Tubi's Vampires? Obviously. collection has plenty of bloodsuckers waiting, but we're narrowing the coffin down to 10 vampire movies and shows spanning Gothic horror, romance, comedy, sci-fi, Black horror, and full-blown apocalypse.
Pick your vampire era. Just don't invite anybody inside without checking first.
Let the Right One In
Being 12 is hard enough before your new best friend needs blood to survive.
Lonely and bullied, Oskar finally finds companionship when Eli moves into his apartment complex in Let the Right One In. Eli also happens to be nocturnal, strangely unaffected by the Swedish cold, and carrying dietary requirements that make friendship slightly more complicated.
Director Tomas Alfredson makes tenderness and violence uncomfortable neighbors. Oskar and Eli recognize loneliness in each other, but the closer they become, the harder it is to separate genuine affection from dependence and survival. The vampire story gives their connection its danger without taking away the vulnerability underneath it. Overall cute friendship. Several concerning footnotes though.
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The Hunger
Imagine being promised eternal youth and discovering somebody was a little loose with the terms and conditions.
Centuries of elegance look very good on Catherine Deneuve as Miriam Blaylock, the vampire at the center of The Hunger. David Bowie plays her lover John, while Susan Sarandon enters their orbit as researcher Sarah Roberts.
Tony Scott drenches the movie in smoke, shadows, flowing curtains, and erotic tension, making vampirism look impossibly glamorous right up until immortality reveals the fine print. Miriam doesn't merely offer lovers forever; she controls what their version of forever actually looks like. Suddenly eternal romance starts sounding suspiciously like an uneven contract.
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Fright Night
Charley Brewster knows a vampire when he sees one. Convincing literally anybody else is the problem.
The vampire has moved out of the Gothic castle and directly into suburbia by the time Fright Night introduces Chris Sarandon's Jerry Dandridge. Unfortunately for Charley, Jerry is charming enough to make the teenager insisting his handsome new neighbor drinks blood sound like the suspicious one.
Horror fandom becomes part of the survival kit. Charley knows the crosses, invitations, stakes, and other vampire rules because he's watched the movies. The joke, and eventually the danger, is discovering that memorizing monster lore from the couch doesn't automatically make you good at using it when the monster lives next door. We've already taken a closer look at why Fright Night still sinks its teeth into spooky season, but any best-vampire list deserves room for Jerry.
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Daybreakers
Most vampire movies ask what happens when the undead take over. What happens after they win is a much messier question.
A plague has transformed most of humanity into vampires in Daybreakers, leaving the surviving human population dangerously valuable as the world's blood supply starts disappearing. Ethan Hawke plays hematologist Edward Dalton, whose search for a blood substitute puts him inside a civilization confronting a very awkward truth: predators still need prey.
Turning vampires into the dominant population lets the movie treat blood like economics rather than merely appetite. Humans become commodities, corporations profit from scarcity, and an immortal society discovers that living forever doesn't solve much when everybody depends on the same finite resource. Who would have thought that even vampires can create a supply-chain crisis?
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Blacula
Dracula has ruined many people's evenings. Prince Mamuwalde loses centuries.
The African prince travels to Transylvania seeking Dracula's help ending the slave trade, only to be transformed into a vampire and imprisoned. Blacula eventually releases him into 1970s Los Angeles, where William Marshall gives Mamuwalde something many cinematic vampires never receive: a life worth mourning before the monster existed.
The film became a landmark of Black horror and helped launch a wave of Blaxploitation horror in the 1970s. Marshall's dignity and romantic longing complicate a title that sounds deliberately sensational. Mamuwalde isn't simply Dracula reimagined with a Black protagonist; his transformation begins as an act of racist cruelty, leaving pieces of the man he was trapped inside the monster he was forced to become. The title may promise camp, but the performance has other plans.
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Vampire in Brooklyn
Eddie Murphy playing a vampire in a Wes Craven movie already sounds like somebody won horror Mad Libs.
Caribbean vampire Maximillian arrives in Brooklyn looking for the woman capable of continuing his bloodline, and Vampire in Brooklyn gives Eddie Murphy plenty of room to make Max seductive, dangerous, funny, and completely aware of his own charisma. His search leads to Angela Bassett's Detective Rita Veder, whose relationship to the supernatural is closer than she realizes.
Wes Craven lets horror, romance, and comedy occupy the same neighborhood without asking any one of them to behave politely. Rita also gives the vampire seduction story more resistance than Max expects. Attraction may pull her toward him, but the larger struggle is over whether somebody else gets to decide what she becomes.
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Moonlight
Being a vampire private investigator sounds extremely efficient. Night shifts practically schedule themselves.
Decades after his ex-wife turned him, Mick St. John has built a new life solving other people's problems as a private investigator. Moonlight complicates the arrangement when his cases repeatedly bring Alex O'Loughlin's Mick into contact with reporter Beth Turner and professional curiosity starts making room for something much less professional.
Weekly mysteries give the series a procedural engine, but Mick's relationship with immortality supplies the longer-running tension. He has the supernatural advantages audiences expect from a vampire without necessarily viewing vampirism as a gift, making romance with a human inseparable from questions about the life he can realistically offer her. One season makes this a dangerously manageable binge. Your weekend has been warned.
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Van Helsing
The vampires have won. Van Helsing has entered the chat.
A post-apocalyptic world overrun by vampires could really use some good news when Vanessa Van Helsing wakes up in Van Helsing. Her connection to the legendary vampire-hunting bloodline comes with abilities that make Kelly Overton's Vanessa especially inconvenient for the new world order.
Over five seasons, the series gets to imagine vampirism on a scale much larger than one monster stalking one victim. Vampire factions develop. Human alliances fracture. Survival becomes political as well as physical. The surname may come with expectations, but Vanessa has to figure out what carrying the Van Helsing legacy means in a world where hunting one vampire at a time isn't going to fix the problem.
This title is available on Tubi until further notice.
The Radleys
The family that doesn't drink blood together… actually, that's the entire problem.
Peter and Helen Radley have built an ordinary suburban life around one fairly important family rule: don't drink blood. Their children don't even know what they really are until an incident makes keeping the family secret much harder in The Radleys.
Damian Lewis and Kelly Macdonald play parents whose abstinence has allowed them to pass as normal, but vampirism works surprisingly well as a metaphor for all the inconvenient parts of ourselves families try not to discuss. Suppressing the hunger doesn't erase it, and keeping the children ignorant only guarantees the eventual family conversation will require more explaining. After centuries of vampires seducing strangers and stalking castles, watching them worry about parenting is its own evolution. Eternal life still comes with family drama.
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Queen of the Damned
Lestat wakes up after decades asleep, looks around at the early 2000s, and makes the only logical decision. Become a rock star.
Anne Rice's immortal mythology gets dragged straight into Y2K in Queen of the Damned, where Stuart Townsend's Lestat trades hiding from humanity for concerts, leather, and the kind of celebrity that practically begs the vampire world to notice him.
Aaliyah's Akasha is the presence that owns the movie whenever she arrives. As the ancient Queen of the Vampires, she carries herself with the confidence of someone for whom nearly everybody else is temporary. Putting her ancient power beside Lestat's modern celebrity also creates a very Y2K version of vampire excess: one immortal wants the world watching, while another has been around long enough to know attention and power aren't necessarily the same thing. We recently explored how the movie transforms Anne Rice's literary mythology in our horror adaptations guide, but Queen of the Damned earns another invitation.
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